
Pill Crusher 2.0 Ring by Shannon Kurzyniec

Belt Buckle Exhibition at Galerie Camille

Jimena Rios & Iris Eichenberg

Ana Maria Eijan

Sergio Ariza
The 2026 Juried Student Exhibition

Jasmeen Al Rayyes – The Land Cries for its Roots – Cast bronze, ancient bronze, steel, cement – 2025

Margaret Schupp – ISABEL – Fabric, wood, enamel, sterling silver, copper, brass, peridot – 2025

Gonzalo Gutierrez – Me and my spoons – Copper, Steel, epoxy claw – 2025

Gideon Hermann – Lessons of the Hand – Wood, brass, steel, 2025
This year I was able to attend Munich Jewellery Week & Schmuck at the Internationale Handwerkmesse in Munich, Germany. This annual event represent one of the largest meeting places for international contemporary jewellery. Here are some of my favourite pieces I saw during the week, some more traditional and some more avant-garde.

Art Jewelry Forum Young Artist Award winner Benedict Haener’s glass necklace.

Silvie Altschuler – Earrings

Keith Lewis’ Descend (Icarus)

David Bielander’s ‘Cardboard’ Ring (made from gold!)

Brooch by Georg Dobler

Emeralds are green stone, highly valued for its moss green or forest green colour, though as mentioned by the Gemological Institute of America;
“Gem experts differ on the degree of green that makes one stone an emerald and another stone a less-expensive green beryl. Most gemologists, gemological laboratories, and colored stone dealers call a stone green beryl when its color is “too light” for it to be classified as emerald. Even among that group, however, there’s a difference of opinion about what’s considered “too light.””

As mentioned in the quote above, emeralds are the name we give certain colours of Beryl, a family of minerals which comes in a variety of colours, some useful for jewellery purposes, and some too fragile.

Emeralds can be either naturally mined, or made in a lab. Lab grown emeralds tend not to have the ‘jardin’ (the internal inclusions which give it its mossy look), though this does make them less prone to breaking during gem setting.

Emeralds are often cut octagonally, sometimes referred to as ’emerald cut’ due to how common it is. These stones can present a large challenge for setting in metal. Although they are a ‘hard’ stone for a coloured gemstone, they are often riven with internal flaws and inclusions which creates an unstable material prone to breaking.
Although beautiful emeralds should only be cleaned with a soft brush, and a light soap to prevent damage!

I’ve been teaching how to create flush settings in my Gem Setting course recently and decided to have some fun with one of the samples and to share it here!


Flush settings are a very versatile setting style which can be applied on almost any surface, though they work best on curved surfaces. You can also flush set just about any shape of stone, though round stones are most common.

This little guy was created using some random Cubic Zirconia we had laying around, and a small synthetic ruby for his clown nose!
Alex
When we craft jewellery, we begin with a small step in what may be a project that involves many different processes, challenges and new learning. Even an experienced jeweler regularly tackles things they are less comfortable with that may involve new challenges and techniques. Below you can see a selection of the numerous steps that go into making a custom 18 karat and opal necklace. Head to our instagram to see a more in depth video reel of the creation of this piece. This piece was created by Aurora Simmons of Handmade Revolution.




