Last summer I had the opportunity to travel for the first time in a long time.
I had planned to go to Italy. Florence in particular. I love their craftsmanship. Handmade Jewellery, Flame working, and Glassblowing in Italy is incredible. On investigating my trip, I found out that Florence, with its charming old streets, and ancient ruins, is not a good place for someone with mobility issues. Rome and Milan were also more accessible.
On researching the most accessible destinations, Barcelona was at the top of the list.
While it had the historic areas and neighbourhoods, there was enough modern structures and streets to make the trip less intimidating.
I loved the sound of Barcelona. A jewellery teacher of mine from George Brown, studied goldsmithing there, my nephew did a semester at business school there, and my neighbour exports wines from Barcelona to restaurants in Canada.
I has heard that Barcelona had interesting art and good food.
It was more than a perfect city to visit. I spent 8 days in the city and I feel like it is an adopted city. Instead of moving to many different places, I signed up for tours and events.
I did everything I wanted to nurture my soul. I realized that traveling is a way for one to express who they are, or have it revealed to them.
What do you like, what brings you joy? I went to markets and galleries. Saw Old Masters, Mid Century Hero’s like Picasso and Dali paintings and his Jewellery. I went to cooking classes and churches.
And of course, shopping.
I bought the greatest clothing and shoes. leathers, high fashion and handbags
Is this what being authentic is? Finding out what is at the core of you’re being and going after what you are interested in?
What do you what to spend your days doing? What you want to be? What do you want to achieve in life?
I think about the times when I followed my passions and I was so happy and successful in my job. Other times, when I followed the path that other people followed; if it was good for them it was good for me. The biggest mistakes of my life were because I was following someone else’s dream. Even if it was their dream for me, it was not the right dream.
When I look back at my life, coming up with interesting ideas in business, marketing, strategic alliances/partners, fundraising and jewellery making have always been my passion.
I guess it is no surprise that I am a marketer, goldsmith and gemologist, and always have a new idea! – Jerell Reichert
I really enjoy taking on custom work, for a variety of reasons. Not least is, for the most part, it’s fun to interact with clients, helping them bring a vision they have to life, as well as stretching creative brain cells on new designs. Especially as they’re often pieces that I wouldn’t just decide to come up with on my own, or they include technical challenges that are fun to tinker with.
I don’t often use very large stones, so this one was fun for that, plus I really enjoyed coming up with additional touches to really make this a one of a kind piece!
This pendant carrier was a technical challenge for me, there were two key things it had to do: be completely removeable, and have the capability to carry a pendant, or not.
My current challenge is actually a jewellery redesign. My client acquired this great multi-diamond ring for a good price from an estate dealer, with the idea that she would reuse the components (stones and gold) to make a new ring, and I have the great pleasure to bring a new piece to life!
Multi-diamond ring on a thin gold band- bit too weddingy, but a good re-use of materials for a new design!
Our interaction started with a world of possibility, but after a bit of discussion, she decided that she really liked this ring shape that she already had in silver.
sterling silver wave ring
So, I set off to do some ideas of how to place the stones, and came up with a few different ideas:
We’ve come to an agreement about which is the preferred
design, and now I’m on to carving the wax.
I could fabricate the design directly in metal, but the wax is more forgiving,
and also allows for design changes before making the final piece. The flexibility casting allows makes it a
good choice, not only for pieces where the design is a bit more sculptural in
nature, but also where there’s some possibility that the design needs to be
modified before making the final piece.
Watch this space for an update sometime soon!
Like I said, I really enjoy taking on custom work, contact me at the studio to start a discussion about that piece you’re harbouring a desire for in your secret heart!
Have you ever wondered about that giant rock that sits in the middle of Yorkville? I have, and my curiosity got me googling. Given my natural love of rocks and all things formed in nature – I had the following questions:
where is it from?
why is it here?
how old is it?
what is it?
how much did we (Toronto) pay for it?
I’ve got answers!
It turns out that the urban park where the Yorkville Rock resides, marks the lot lines where historic Victorian houses used to exist. These houses were demolished in the 1950s to make way for the Bloor subway line. The former residents allowed the city to make way for the future, but were firm that they wanted a park to be built over top of the subway station. It took about 40 years, but eventually, the city kept its promise and the urban park was brought to life.
The City of Toronto hired architect Olesand Worland to create a park to befit the context and history of the Ontario. Although Toronto offered trees and flowers a plenty, there was nothing that could represent Ontario’s most extensive landscape. So he proposed to move a chunk of the Canadian Shield – whose rounded rocks are some of the oldest on earth. The granite outcrop would have to be transported from Gravenhurst to Toronto, in pieces, on 20 flat bed trailers. The rocks are approximately one billion years old, weigh 650 tons, and would cost about $300,000. This entire process would cost the city more than a quarter of a million dollars.
After much expected ridicule and outrage, the project was carried out and completed. It has since received widespread acclaim from architects and users alike, who enjoy the ancient mountain range right in the heart of the city. Thank you Olesand!
There you have it neighbors. Next time you are taking a stroll in Yorkville (post COVID 19, of course), buy yourself an ice cream cone, coffee, or whatever you fancy, and have a seat on a piece of the Canadian Shield. After all, the “Yorkville Rock” is the product of a promise kept to the Torontonians that parted with their Victorian homes, to allow for the city of Toronto to grow. This came with one condition – that this urban park would come to life for the generations of the future to enjoy. So lets enjoy it 🙂
A couple of weeks ago, The Getty
Museum in Los Angeles, which is famous for its large collections of European
paintings, sculptures and other works of art challenge to recreate a work of
art with objects and people at home. The rules were simple: Choose your
favorite work of art, use things from your house to recreate it, take a picture
and share it on social media.
The public response came in the
hundreds, then the thousand, of creative and funny remarks. And, it has not
The creativity of people has been
well known for hundred of years. During
the Second World War, the women were called to work in the factories because
the men were on the front lines, and the powdered milk to feed babies was
Practically no one who is alive
today had lived a confinement like the one we are experiencing now. Only a
couple of weeks were enough to admire what humanity is capable of creating with
color, objects, light, including animals.
I will show case few great examples of human imaginations at its best!
Nothing like art as an expression of beauty in all its forms, painting, sculpture, literature, jewelry and much more.
Jewel Envy and all its team wish you a Happy Mother’s Day
Hope you guys all doing well. Today I would like to bring you to Kobe city in Japan. Kobe, the city of Pearls, is renowned for its processing of pearls. Did you know 70% of the world’s pearl circulation takes place here?
I had a chance to trip to Kobe two years ago and I accidentally run into this tiny museum. This museum is very small but covers a century of Akoya pearl farming and story of Kobe’s history with pearls in easily understandable manner.
A Pearl Tree featuring the fantastic 10,000 grain shine Akoya pearl. The trees illuminated from above and below are like huge chandeliers. It took over 3 months handcrafted one by one.
Pearls are formed an irritant, such as a piece of sand becomes lodged in the shell of an oyster. Sensing the object, the oyster deposits layers of a substance called “nacre” around the intruder, where it builds up over time. it takes years to create a pearl of decent size.
This is a model of the cages that cultivating Akoya oyster in the sea
Quality matching is very important for necklaces, earrings, brooches etc. No matter how good the quality of each pearl may be, if matching is poor, the value of merchandise decrease dramatically.
Pearl jewelry are always classic,elegant and sophisticated , have been one of the most popular and meaningful gifts. Don’t forget Pearls are birthstone for those born in June and the gemstone for the 30th wedding anniversary.
Continuing on with my contribution to the blog last month, today we’re looking at another artist who’s work I find very inspiring. Terhi Tolvanen is a well known contemporary jewellery artist from Finland, who has been creating work for over 20 years.
I find her work interesting because of her use of organic materials, and the obvious influence the natural world has on her aesthetic, but also because she sometimes subverts the material, almost turning it on it’s head, to look somewhat mechanical. Evidence of the hand is always present, albeit naturally, without it being heavy handed (excuse the pun).
Within her process, the material directs the outcome of the work, which is something I really identify with in my own experience. Whatever ideas we might have coming in to a process, in terms of concept or design, inevitably the nature of the material dictates what is possible, and where you can take it.
Lately I have been busy behind the scenes trying to reintegrate my old blog onto my website. Luckily there is a blog section… but unlucky for me it means having to transfer each post I made in the past 10 years over one by one, yay! Thankfully I was not a very prolific blogger, however I was extremely active back in 2011 apparently. I included pics grabbed from some of my favourite past post. And if you can’t get enough you can visit to see more!
I hoped you enjoyed a bit of a trip down memory lane. If you end up browsing my blog let me know! If you have a favourite post also let me know!
May, my favourite month, because it’s my birth month, but also we get to talk about the most revered, green gemstone. Emerald is known to be the traditional birthstone for May and is the rich, vivid green variety of the mineral beryl that symbolizes the rebirth and renewal that comes with spring. Emeralds have a long history, with known records of mining dating back to 1500 BCE in Egypt. This was the primary source of emeralds for many years until the 1600’s when the Spanish invaded South America and discovered the source in Colombia. Today Colombia is still the primary source of emeralds with 50-95% of the world’s emerald production. Zambia is in second place and while emeralds are rare, they can be found worldwide. Even Canada is host to several small deposits of emerald in the Yukon.
Just like aquamarine, Emerald is identified as:
1) Hexagon Crystal System, not to be confused with crystal habit. (Note, habit is how the mineral crystallizes)
As stated before, the varieties of beryl aside from emeralds that you may know well are aquamarine (see March’s blog post for more), morganite (light pink/peach), and heliodor (golden yellow). However, there are other kinds as well such as goshenite (colourless), red beryl (deep red/crimson), green beryl (light lime to mint green) and mixixe (deep blue colour but fades to brown in daylight due to UV).
How is emerald so green? Emerald, (derived from σμάραγδος or smaragdos; ancient greek for “green gem”, big surprise there) gets its colour from traces of chromium, vanadium and iron within the crystal structure. If you want a real head-scratcher, chromium is also responsible for the red colour of rubies. Interestingly this all comes down to how light interacts with chromium ions, chromium(III) to be specific, within the crystal lattice. Without getting too technical, when chromium is in the beryl it will absorb more of the violet and yellow-red wavelengths of visible light, thus we see green. With rubies, the chromium absorbs more of the blue-green and some yellow wavelengths and thus we see red. Vanadium on the other hand just gives you green and if iron is present, it can give the emerald a blue tinge.
Ready for some REAL gemmology? With the high price of emeralds, there are many synthetics and imitations to watch out for when hunting for emeralds. First, some terminology needs to be explained, mainly the terms “natural”, “synthetic”, “imitation” and “treatment”. A natural gemstone refers to a stone made from the earth and is what most people desire/expect. A synthetic gemstone is an identical copy of a natural, just made by man. This means it has the same chemical formula and crystal structure as its natural counterpart. Ideally, the term “synthetic” should only be used if the man-made stone has a natural counterpart. If there is no counterpart, then this stone is referred to as an “imitation”. An imitation is a stone or material representing another stone. Imitations can be natural or synthetic and confuse many people. Cubic zirconia is one of the most common samples for imitating precious stones. Treatment or a treated stone is a natural stone that has been tampered by humans to improve colour saturation, clarity, and durability. There are many interesting ways we have discovered to help improve the natural beauty of precious stones.
For emeralds, the most common treatment you will see is oiling, due to their clouded and brittle nature. Oiling is as the name suggests, the stone is placed in heated oil in a vacuum chamber and the oil is then drawn into the cracks of the stone. This helps increase the colour in pale stones and seal up fractures to improve the stone’s clarity and durability. Balsam and cedar oil are what is used for emerald treatment as the refractive index of the oils is similar to the refractive index of emerald, thus you can hide the fractures better. This is a common treatment with emeralds and is not always disclosed in the sale. Avoid using strong dish soap and ultrasonic washers if you want to wash your emerald jewellery.
Luckily for you, emeralds are highly desired that we even accept the impurities within them. This will include fractures, pockets, and other mineral inclusions. You will hear many refer to the impurities as the emeralds jardin; the garden within. With these impurities present, it is fairly easy to discern if you have a natural or not, as synthetic and imitation emeralds will appear internally flawless. A flawless gem is the most prized gem. Many of these features of the jardin can be seen with the naked eye or with a loupe. When it comes to synthetic stones, you’ll need a microscope to discern the origin of your emerald as you won’t have a jardin. If there is something in your synthetic stone you’ll know right away something is off. All gemstones leave clues as to how they formed within the crystal structure and carry trace element signatures. While the chemical signature is the best way to identify a stone’s origin you have to destroy a piece of your stone. I don’t think many people would be interested in having a hole in their $25,000 emerald to see if it’s natural or synthetic. Thus by using high powered microscopes and polarized light, gemmologists can see signatures as to how gemstones crystallized and your stone is left untouched. Synthetic emeralds are produced either through the flux method or hydrothermal method. These methods should be disclosed when selling synthetic/lab-created emeralds and if not, ask.
If you’re buying emeralds or you’re not sure if the ones you have are natural emeralds, you’re best to seek professional help with a certified gemmologist to identify them or buy them for you. Otherwise, here are several tips to keep in mind if you happen to find yourself in the market to buy one.
First, most “emerald” you find will actually be imitations. Look at the name of the product. Always question something if you see anything attached to the name aside from “natural”. Many stone dealers will sell items with “emerald” in the title to make the stone more alluring. Under section § 23.26 of the Federal Trade Commission’s Summary of Basis and Purpose for the Revised Jewelry Guides, it states that “It is unfair or deceptive to mark or describe an industry product with the incorrect varietal name”. Titles like “emerald tourmaline”, “emerald quartz” or “yellow emerald” and “emerald colour” should raise suspicion right away. Another example is if there is a name in front other than a location, “Soude emerald” is one example of emerald coloured glass, a common cheap imitation. After looking at the name, look at the price. Emeralds are not cheap and if you think you’re getting an amazing deal for a clean stone with vivid colour, it’s probably not a real emerald. Even synthetic emeralds are more costly than natural imitations like tourmaline, diopside and dyed quartz. Third, if you are buying emeralds in jewellery, check the metal and surrounding stones if there are some. It’s not worth it to set an emerald in plated metal and with cubic zirconias, you end up greatly devaluing your emerald that way. Finally, if you are buying rough emeralds in bulk or individual specimens check your stones and always buy from a well-reviewed source. Look for a hexagonal prism shape or something to give you an indication of 6-fold symmetry in your crystals.
While these are just some quick pointers for general interest if you are interested in more information I suggest some of the links and books below.
GIA encyclopedia page for emeralds. Very friendly for just starting to understand gemstones with links to countless articles about emerald mines, unique specimens, emerald history and more
Gemmology by Peter read – A gemmologist bible, make sure to look for the latest addition as there is always new information to be added to textbooks. This book covers ALL the gemstones as well as how to use the tools to identify naturals, synthetics and imitations. Warning this book is very technical.
Jewels: a secret history by Victoria Finlay – an excellent read into the history and lore behind some of the more renowned gemstones. The author also has a great book about the history of pigment and colour.
Stay tuned for next month as we discuss pearls… or moonstone or alexandrite. One of those stones or June.
As a Chinese, I am really obsessed with traditional Chinese jewellery. Today, I am going to show some amazing pieces from The Palace Museum.
Beginning with a little background of Forbidden City 故宫. Forbidden City was the former Chinese imperial palace from Ming to Qing dynasty, between 1420 and 1924. Now it becomes a museum, which known as the Palace Museum. All the jewellery below are the collections from the Palace Museum. Most of them were belong to the empresses or imperial consorts. Jewellery from Ming and Qing dynasty, often made with gold or jade, combining with all kinds of precious and semi precious stones. Most of the jewellery has a pattern that related to happiness, auspicious, thriving, prosperous, etc., to represent the good wishes.
This hairpin is from Qing dynasty (1644-1911). In the centre is the Chinese character for longevity. Gold filigree creates five fungi, together forms a plum blossom. Each fungus inlaid with red tourmaline. Blue kingfisher feathers were applied to add rich colour. This is a very typical Qing dynasty jewellery.
In this hairpin, it focus on details of the natural world. Lotus and fish are homophonous with the concept of successive years of abundance.
The pearl set in a six prong setting, in the middle of the gold ring. Ruby and jade carved in a bat shape. Bat is homophonous with endless happiness.
Two bangles were made with agarwood, with gold inlay. The gold granulation forms in the Chinese character for longevity. The bangles could use to drive out the evil spirts.
This coronet is framed by iron wire and paperboard. Surface desin made by black silk threads with kingfisher feathers. Five gold filigree phoenixes inlaid with pearls. Tassels were made with pearl, coral, turquoise, lazurite, ruby and sapphire. This luxury ornament is for empresses, and only worn on festive occasions and traditional holidays.
Hope you enjoy these incredible pieces. All the informations and pictures are from the Palace Museum website (https://en.dpm.org.cn).
I notice a lot of things, and I like looking at a lot of
different sceneries. One of my favourite
(but not often enough exercised) things, is landscape photography. In contrast, I’ve also always enjoyed looking
at urban landscapes and appreciate intricate and interesting architecture.
As some of you may know, I lived in the UK for some time. I had the privilege of doing a fair amount of traveling. These are some of my favourites:
I could show you a gazillion more, but I don’t have that kind of time to track down all my photos! But here’s just one more of a typical architectural feature that I used to constantly see around Scotland.
If you look at the upper left, you can notice a rather distinctive stepped gable edge. This is a Dutch architectural feature, sometimes called a crow-stepped gable or corbie gable, which occasionally you might notice if you wander Toronto looking at older houses and buildings.
When I first moved back to Toronto, I spent alot of time wandering the city getting to know it again. It was an incredible experience for me, and I spent alot of time just looking (and a little bit of capturing!). These are some of the things that have particularly caught my eye:
Now all of those shapes and features are rolling around somewhere in the back of my brain. Eventually, I’ll start sketching some new pieces based on all these features, and from there, develop them into new jewellery. Not sure when, but they’ll appear eventually. When they do, you can be sure that I’ll share them with you!
Intrigued? I know I am! I never quite know what my brain is going to come up with until it appears. Some things are like a bolt of lightning, others are like this–they need a certain amount of work before they become real designs!
Stay safe and healthy, and I look forward to seeing you all when the studio is open again. Want to connect sooner than that? Email the studio!