Crochet with Precious Metals

Crocheting with precious metals can be an exciting process that yields truly one of a kind jewellery. Our goldsmith Jamie, who won Best of Jewellery at Toronto Outdoor Art Fair this July crochets with sterling silver wire to make large smooth forms inspired by nests and oysters.

To crochet with sterling silver wire it must be annealed aka dead soft in order for it to be malleable enough to work with a crochet hook. Pearls are chosen as embellishment because they can be attached to the forms without any soldering (torch) involved – since the crocheted wire is so thin and delicate, it cannot withstand high heat.

Crocheted forms by Jamie Rosario – before forming with hammers.

Crochet pendant and earrings with freshwater pearls by Jamie Rosario.

In our shop, Pash Jewellery Design by Gillian Batcher also creates wonderfully intricate and playful pieces with crocheted wire. Come on by and take a look!

Crochet ring by Pash Jewellery Design

Crochet earrings by Pash Jewellery Design

Depletion gilding silver

Before we delve into depletion gilding of silver, let’s talk about fine silver and sterling silver. Fine silver is 99.9% silver and it is soft. So soft that if jewellery was made from it, it would suffer more damage and wear and wouldn’t be able to be worn daily. That is why jewellery when silver is made out of sterling silver. Sterling silver (like the stamp) is 92.5% silver and the rest is another alloy; mostly copper.

Depletion gilding is the process of heating your sterling silver several times to bring the fine silver to the surface of the metal, creating a white satiny look. In between heating, you drop your piece in the pickle to remove oxides. This process is repeated several times to achieve the white satin look.

Van Mackenzie, White bean bracelet, 2012, sterling silver, depletion gilding.

Above is an example of what depletion gilding looks like.

New Silversmith

Enu the Great

I am a Toronto-based artist and metalsmith behind my artist name Enu the Great. I graduated from the Material Art and Design program at OCAD University. I have received multiple awards as a student, including two consecutive awards each year from 2023 to 2024 at the Canadian Student Silversmithing Annual Exhibition. This year, I won in the emerging artist category at The Earring Show, held by the Craft Council of BC.

As an artist, I am deeply drawn to the concept of vessel forms as holders of creative energy. Most of my metalwork begins with a vessel form as its foundation. I draw visual inspiration from the creatures I observe around me—both in nature and within my home. I study how their environment shapes them and how their bodies tell the story of their lives. Hollow forms particularly captivate me because they embody a similar concept: they contain within them the creative energy generated during the making process, with the finished pieces serving as tangible representations of that creative process.

New Work To View

Our studio is buzzing!

We have award winning goldsmith members coming back from exhibitions with new work…

We have just put work on display from new members…

And there is new exciting work in the displays from existing members.

If you haven’t been by in the last 48 hours, you haven’t seen everything, so drop in!

Learn to do a thing

It was Gemsetting polishing prep class at the Big Blue House today. Our last 8 week Gemsetting course for 2025 gets started Wednesday July 9th. Students received a kit of cast mounts in advance, and today was the day to pre-polish before class begins. This way, all attention is on learning the new techniques, setting the stones, and practicing new skills.

By the end of the course, students will have set their kit pieces with gorgeous gems. Their completed jewellery will look something like this:




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