Private Beauty

Jewellery is often with us during special moments, experiences, and milestones.  Sometimes it is given to us by a special person, or in a special way, or at a special time.  Our jewellery pieces carry these memories for us, even when we didn’t mean them to.  Sometimes there are experiences so personal, and so common, that we keep them in our own special way, and only share them with certain people, when we feel the time is right.  It might be through a song, a poem, sculpture, or painting, and this is often the way that artists touch us in the deepest way – by channeling, sharing and expressing our stories.  As goldsmiths, our poetry and sculpture is precious and portable.  We are acutely aware we are always creating vessels that may carry memories and emotions which haven’t happened yet, but sometimes, we also get to design pieces that can carry an emotion someone has been holding alone.  This is a special connection we have, and always have had, to the human experience.

The flower pendant with an empty petal, pictured here, is a piece designed by our own @frekkeldesigns for those who would like a subtle, sweet expression of a personal memory or loss.  As the warm weather arrives, and new life is on display, we can enjoy it all, and quietly remember.

In the blood-by House of Cassady

It’s another sunny Saturday, and I’m in the studio. Apple weather lied to me and said it was going to be rainy, I feel a bit deceived!

Anyway, I’m digressing. I thought I’d tell you about a new piece that I just completed (it really is hot off the bench!!). For me, it’s a major new work, and is part of the ongoing series of pieces that I have been making exploring the cell shapes of the immune system and the positive and negative aspects of their activities.

I’ve called it “in the blood”, and it’s composed of sterling silver with a slightly sub-mirror polish, with green cabochon (that means flat back, smooth top) tourmalines and my signature needled felt insert with forest green felt.

The metal components, connecting jump rings, and larger ring connectors are evocative of blood vessels, and the circulatory system that blood and other immune cells can use to move through the body, with the kinetic motion referencing the dynamic nature of blood flow. In fact, one interesting property of the immune cell is that it can move in and out of blood vessels and tissues via a process called extravasation or diapedesis. The discs with the tourmalines are representative of red blood cells, and the large abstract hollow form cutout is evocative of the macrophage.

In the blood

The chain and pendant are so long, I had a hard time getting it all in the photo!!

Here’s a close up view of the central pendant, with a better look at those yummy tourmalines (I love tourmalines) and the detail in the macrophage with its dark forest green needled felt!

I’ve included some of my process photos below, so you can see how it started to come together over time. At the end, I had to slightly modify the design, as it is meant to slide over the head with no clasp, but it was a smidge too small, so I cut the straight side arms and inserted an additional ring on each side to lengthen it to a more manageable length.

Beginning of the idea for the central pendant.

I love the kinetic flow, but the more substantial look of the all metal necklace that I had made previously, so this one is a variation on that. Here’s my initial layout.

Here we are at a bit of a more advanced stage-almost ready to add the connecting jump rings, and set the stones.

I hope you love it as much as I do! If you interested in seeing more of my work with these shapes, you can visit IG, or book a virtual shopping tour.

Hope you’re enjoying the sunny Saturday, and as usual, stay safe, and we hope to see you more again soon, when we’re able to.

-Robin Cassady-Cain

House of Cassady

Smoky Quartz Ring

Smoky Quartz Ring

Materials:

13 brilliant-cut  2mm Smoky Quartz, sterling silver ring band.

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Size: 6.5

For prices or inquiry feel free to contact me, via Instagram or Email or through my website on the shops section.

Sunny Saturday, sunny news

I had some exciting news this week, that I’m so happy to share with you—I’ve just found out that I’ve been accepted to participate in the Toronto Outdoor Artfair this year (I will be joined by a couple of my colleagues, but that’s not my story to tell!).  You may or may not know about these things, but as a relatively junior goldsmith (in terms of length of career so far!), it’s a pretty big deal for me to get into a juried show.  Honestly, I think even when I’m old and grey(er), I’ll still get a big charge out of it, that’s just kind of the way I am!

Me, looking excited, you just can’t tell, because I’m wearing a mask :). Actually, it’s from a few weeks ago, but I was very excited the day I found out!

What’s a juried show? you say.  Well, a juried show means that the show/sale/exhibition is curated, and there is a competitive process involved in being accepted to participate.  You have to tell them who you are and what you’re about, you need to submit professional looking images of your work and say what you will be exhibiting/selling.  Then a panel of people looks at all the applicants and judges you (eek!). I find it a bit nerve wracking, even though it’s not (usually) an in-person process.  You just have to wait for the answer about whether you’ve been accepted or not to eventually pop up in your email. (To be honest, this is shorter than in science—I’ve written research grants that take up to a year to get an answer about, art/craft shows are usually a couple or a few months—thankfully for my finger nails!!)

Anyway, I hope that you will check the show out between July 2nd and 11th (there will be more info in the future from the Blue House about this in the appropriate newsletter).  Sadly this year will be virtual again, but I always enjoy attending (even if it’s from my armchair) as a browser/buyer, and hope you will too!

It’s a beautiful, sunny day in Roncy this Saturday, so I hope you’re able to take advantage of it!  Good luck getting your covid vaccination, and stay safe, as ever.  We are looking forward to welcoming you back into the studio in person sometime (hopefully) soon, but in the meantime, keep in touch-send us an email, comment on something you’ve seen on Instagram, or facebook, let us know how you’re doing, we love hearing from you!

-Robin

House of Cassady

International Women’s Day

It’s a beautiful Saturday out in TO today, I hope that you’re able to take advantage of it!

I’m a bit late to the party, since International Women’s Day was earlier this week, but I’m still thinking about it, so this week’s post is in honour of (and a bit about) a couple of women that have inspired me over the years.

One of the earlier people to inspire me was my grade 10 biology teacher (sadly, her name escapes me, lost to the sands time, unfortunately!). She just loved biology so much, and she was always very free with her time and knowledge. Along that same theme, for a long time, Marie Curie was my hero (are you sensing a theme yet?). Best known for her work on radioactivity, and early cancer treatment, she was a female scientist in the late 1800’s/early 1900’s, in a field that was (as you might guess), almost entirely male dominated.

Nobel Prize portrait of Marie Curie

photo credit: wikimedia

A little more recent, and closer to jewellery, is Wendy Ramshaw, a British ceramicist, jeweller and sculptor. I’ve talked more about here before here. Apart from finding her jewellery inspiring and amazing, what I most admire is the sheer breadth of her expertise across different mediums and at completely different scales.

gates at Hyde Park (London) by Wendy Ramshaw

photo credit: wikimedia

Closer to home, are the awesome women that I get to work with at the Jewel Envy studio. (Just to be clear, I love working with all my colleagues at the studio, but since it’s a theme, I’ve focused on the women!) Their differences, skills and creativity continue to blow me away! I don’t know if you caught it, but there was a very nice instagram post about the ladies of the studio. If you didn’t catch it, why not head over to the @jewelenvy account and peruse the posts?

There are lots of other women that I could name, but I’m going to leave you with that today. Hopefully it has encouraged you to think about women that you admire, or are inspired by!

In any case, stay safe, and enjoy the lovely Saturday while you can.

-Robin

House of Cassady

The Process of Re-Shanking a Ring

Over time the metal on your rings is worn away by daily wear. Over several decades this can lead to a very thin ring (or shank as they are known)! Sometimes rings get caught on things and break, or are damaged in other ways necessitating what we call a re-shanking.

Recently we had a ring come in which needed a Full Shank done. The old broken shank was removed, and the new metal was gathered in preparation for repair.

The new shank was formed and soldered onto the original head of the ring, thought at this stage it is much to wide and needs refinement.

Using files, sanding discs, and emery paper, the dimensions are refined and made to match the existing portion of the original ring. These are blended together before polishing.

Finally the ring is polished and everything checked to make sure the match is identical! And voila, a ring reborn!

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